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    “Makes you remember why you liked Merle Haggard, Waylon Jennings and Marty Robbins.” – New York Post

    “Captures the lonesomeness of Cash, the stripped-down melodies of Nebraska-era Bruce Springsteen, the rowdiness of Steve Earle and morphs them into a captivating collection that blends twang and sophistication.” – Billboard

    “Stuart creates neo-country that’s quite a few cuts above much of today’s genericana mediocrity.” – Texas Music